While Melancholia is perhaps one of Von Trier's gentler works, its story of a woman grappling with psychological malaise in the face of literal apocalypse drew polarised reactions as a film, and is likely to do so in play form also.
If you were waiting for a verdict before buying a ticket, don’t – this run is short, and Todd McKenney is seriously good.
Who knows what Stage School are feeding their students in rehearsals, but once again they have turned out a bright-eyed, bushy-tailed cast who don't put a foot out of place, with voices ringing as clear as bells.
Puffs or Seven Increasingly Eventful Years at a Certain School of Magic and Magic looks at the untold stories of the Harry Potter universe, the unsung and unheard of hero’s that make up every great adventure.
One night only Melbourne, James Cameron Mitchell writer, actor, performer, and philosopher with Amber Martin, and band presented The Origin of Love: The Songs and Stories of Hedwig.
Marie Antoinette, Queen of France, was beheaded in October of 1793 after the French Revolution. Then and now the person of Marie Antoinette symbolises concentrated wealth, privilege, greed and conspicuous consumption. Plus ça change.
Ballet audiences are normally a comparatively reserved crew, but there is a boisterous energy in the auditorium during Verve. The audience has good reason to be excitable: this showcase of contemporary ballets by The Australian Ballet’s homegrown choreographers is a blast of energy and talent.
It’s the story we all know and love, the original “makeover plot” where the downtrodden lower class girl is transformed into a princess seemingly overnight.