Melbourne Reviews
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- Danielle Cummins
Shakespeare is having a frustrating day in the office.
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- Stephanie Johnson
Bell Shakespeare's Much Ado About Nothing is a fast-paced and fun-filled production that makes the most of the buffoonery, trickery, skulduggery and ultimate irresistible happy ending of Much Ado.
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- Heather Bloom
In the Australian premiere of the production by Ashley Rose Wellman, director Peter Blackburn delves into the fascination the media and society has with serial killers.
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- Heather Bloom
Alistair McDowall’s play is not so much a cautionary tale of the future of humanity, but an all too real depiction of the dystopian universe we are already living in.
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- Heather Bloom
A classic teen flick of the naughties, Bring it on beloved by teenagers across the world for its snappy dialogue, and rich beautiful teenagers who seemed to only have to worry about one thing, winning nationals at the Cheerleading Championships.
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- Danielle Cummins
A planet that has believed itself to be alone within the vastness of the universe at long last has an opportunity to connect with another intelligent life force.
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- Hayden Burke
A review, of a man's review of himself.
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- Danielle Cummins
Wake in Fright is an extraordinary, at times unexpected and very confronting hour of theatre. It is the astounding physicality, vocal dexterity, sheer commanding stage presence of Zahra Newman that brings the people of this outback town to life.
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There’s an endless fascination for the underground nightlife of prohibition-era America or turn-of-the-century Europe.
Now playing Melbourne
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
It feels that the show hasn’t quite worked out what point it wants to make.