Taking her all over Australia and far beyond, Emma Dean has been touring Broken Romantics: A Unicorn’s Quest For Love for the past two years, and despite being the alluring cover girl of this year’s festival, there was sadly only two opportunities to see this wonderful show.
Presenting iconic work is of course duplicitous. On one hand there is the hefty marketing potential of drawing upon a known commodity and on the other, an enormous capacity to disappoint. MTC have succeeded on both fronts.
Wunderage unfolds around, above and beside you, there are no lines of separation. It is a journey taken together. One that will leave you exhilarated, if not a little breathless.
This is without question another ‘born to play’ role for one of this country’s finest performers and genuinely leaves previously versions trailing somewhere far behind.
Cabaret in Melbourne is thriving and each year, the genre receives a very healthy boost with a dedicated festival.
Heralded for her sharply observed social commentary and imaginative theatrical experimentation, Caryl Churchill has been prolific since her first work for stage premiered at London’s Royal Court Theatre Upstairs in 1972.
The dominance of Michieletto’s visual approach is bold and naughty. It turns opera on its head. It does so as a bandaid for lack of spectacular voices, vocal virtuosity, understanding of Italian and acting skills.