The Messiah
This is a highly comic and eccentric re-telling of the Nativity story produced by an amateur theatre company of three! Be ready for some segues back and forth in time, visual and verbal comedy, a touch of opera and some impressive sound effects including kookaburras and possums!

Ground Elastic Sound
The group uses electronic and recorded, as well as live music, and gives some importance to visual design and staging. This wide-ranging perspective certainly lends considerable interest to its performances, but the results are mixed.

A Midsummer Nights Dream
With its somersaulting ‘acro-fairies’, a punch-up between leading ladies Hermia and Helena, and a completely manic Puck inclined to moon the audience at whim, this is one revved up, madcap production of what is arguably Shakepeare’s best-loved comedy.

The Spook
The Spook was inspired by the true story of a young man recruited by ASIO in the 1960s and asked to masquerade as a communist whilst spying on his local party branch. However, as Reeves assures us in her program notes, The Spook is a totally fictional and sometimes ludicrous version of the story. 

Angels With Dirty Faces
We become engrossed in the web of intricacy of this Chilton 'clique' as we are exposed to each boy's personalities and learn of their contribution to the group dynamic.

Under Milk Wood
Under Milk Wood was first performed by Dylan Thomas and three actors in America, and the four-person format is used again in this production.

Autobahn
LaBute’s cycle of plays is the very definition of the term ‘variations on a theme’. A series of slow-burn mono and duologues, each set in the front seat of a car, the cycle serves, sometimes too explicitly, as a kind of social rap sheet.

Europe
Europe is funny and at times poignant as Douglas and Barbara struggle to meet across the divide of time and differing expectations.

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