Yet another example of a minimalist Cabaret show based on shallow meandering anecdotes, very little actual drama or story and profanities used for shock value
There’s something quaint, almost naïve, about Marc Camoletti’s script, as though it belongs to another place, another time, but it successfully fulfils the classical objectives of farce.
The Australian Ballet fans may not agree with me, but I always think that the company looks their best doing modern ballets rather than the full length classical numbers.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.