
Piff, Englishman John van der Put, took the Edinburg Fringe Festival by storm in 2009 and has been wowing audiences ever since.


Raimondo Cortese is a singular voice in Australian theatre. His plays seem to meander and appear disjointed but possess an internal logic that leaves a delicate impression of eloquence and subtlety.

Jason Robert Brown has a segment of Melbourne eating out of his hands, going by the size and passion of the crowd for his one Melbourne show.

When a production makes you feel like you’re part of the proceedings and you have to hold yourself back from joining in, then something’s going right.

If the immediate discussion The End prompted at its conclusion is any indication, this is the sort of theatre that the Malthouse audience has been waiting for.

Apologia by award-winning playwright Alexi Kaye Campbell is a witty play; it is obvious how much fun the writer has with eloquence.