Melbourne Reviews
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- Liza Dezfouli
An unforgettable work dealing with the forbidden in the collective human psyche, BalletLab's Amplification is truly affecting; disturbing and beautiful at once.
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- Penelope Broadbent
Faker is quite astonishingly the first solo Obarzanek has ever choreographed for himself and his first performance on stage in fifteen years.
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- Penelope Broadbent
Suite Synergy attempts to give its audience a taste of everything and in doing so, it loses its ability to really engage its audience or tell a story.
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- Bron Batten
Parker is particularly adept at revealing and nurturing the individual skills and unique presence of each of his performers in portraying their characters.
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- Jan Chandler
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- Liza Dezfouli
This play aims high in its portrayal of a man (Ed, played by co-creator Tim Wotherspoon) whose psyche fragments following the breakdown of his marriage.
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- Penelope Broadbent
In Glass premiered last year at the Sydney Opera House and now it’s Melbourne’s turn to be presented with a work that both illustrates and challenges our notions of perception.
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The show is aiming for silliness, and its successful realisation here is certainly a nice change of pace from the worries of the modern world.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.