Melbourne Reviews
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- Penelope Broadbent
Suite Synergy attempts to give its audience a taste of everything and in doing so, it loses its ability to really engage its audience or tell a story.
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- Bron Batten
Parker is particularly adept at revealing and nurturing the individual skills and unique presence of each of his performers in portraying their characters.
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- Jan Chandler
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- Liza Dezfouli
This play aims high in its portrayal of a man (Ed, played by co-creator Tim Wotherspoon) whose psyche fragments following the breakdown of his marriage.
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- Penelope Broadbent
In Glass premiered last year at the Sydney Opera House and now it’s Melbourne’s turn to be presented with a work that both illustrates and challenges our notions of perception.
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- Nic Velissaris
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- Paul Andrew
Most read Melbourne reviews
West Gate | Melbourne Theatre Company
At 11.50am on October 15 1970, 35 men fell to their death as their place of work gave way from under them.
Heathers The Musical
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Swan | Elf Lyons
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The Brut Truth: A Champagne Comedy Tasting | Prétentieux vin Branleur
It feels that the show hasn’t quite worked out what point it wants to make.
Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.