

Ruth Rogers-Wright takes Nina Simone's brilliant songs, stories and charisma and brings them down to earth and up-close.

When playing close to its emotional core, it is heartfelt and touching, with insights that have a ring of authenticity. However, Coleman hasn't been able to let go of rom com trappings, which don't mesh well.

In a tribute befitting Bastille Day, Wendy Lee Taylor executes a quaint little number based on her experiences in Paris.

While the morals of the story are important to all who have found themselves beaten down, it is undeniable that it is the music that truly shines in this performance.

Frustratingly, I came out with no epiphanies, no greater understanding of the man himself. However, I did enjoy the experience of Brecht’s short, witty poetry, and his sharp condemnation of war and human judgmentalism and foolishness.
