
Messenger has a magnificent voice and gives it full range, her singing is note perfect and radiates nuance and power. She has been compared to many many different singers yet she is a singularly distinctive performer.

An intense journey of the interpersonal relationships between time and space, traditional storytelling, suburban mediocrity and the ever-changing landscape of Koori identity is explored through Van Hout's dynamic choreography.

sex.violence.blood.gore. Surprisingly, these elements occupy a limited space in the show. There are plenty of attractive girls in old-style underwear, a little simulated sex and a little simulated violence, but not quite what the name leads you to expect.

Delving into the emotions and the apathy of a generation, Hickson looks into the lives of the ordinary to find the extraordinary in a touching, disturbing and clever piece

While Streisand impersonators come and go, Brinberg brings so much more to the stage than "a man in drag" – he is affectionate, warm and hilariously funny, much like the great lady herself.

Rings' previous work has been noted for a sense of defined femininity that exudes warmth and a deep connection to the land. Terrain, while certainly retaining those elements, refuses to comply with expectations.

A two-hander which holds its own throughout, Sweet Phoebe is a nicely paced, highly amusing and well constructed work which plays out as a parody of a sitcom.

An eclectic mix of talent, the group put on an entertaining and eventful night out, well worth bracing the cold Melbourne winter for.
| Timon of Athens |
| Fijian Flying Circus presented by Fiji Airways - Melbourne |