
Regardless of whether you are a fully initiated, certified fan or a newcomer to the quirky and witty world of G&S operettas, you are guaranteed a laugh and a thoroughly entertaining experience.

Version 1.0 have created something truly significant in the chronicle of Australian theatre and storytelling with new production The Disappearances Project.

Sleswick's vision for La Voix Humaine – three performers, one character, two languages, elaborate multimedia set, experimental score – could have gone wrong in so many ways. Yet, it truly glows.

With guests seated, Winter delivers a few brief words of instruction (in essence; 'don't let the food fly away') and – bar the occasional provocation via mysterious delivery – largely leaves her audience to their own devices.

Gay has pieced together a collection of songs for her cabaret act which at once delight and unnerve an audience while showcasing her remarkable voice.

In the humble and intimate space of Brisbane's Tivoli Theatre, the Celtic Divas sang a beguiling repertoire of traditional and original Celtic songs.

With The Truth About Kookaburras, writer/director Sven Swenson has delivered a work that could rightly, without any fear of exaggeration, be referred to as a masterpiece.