Brisbane Reviews

Details: Marika Bryant; 14 September 2012

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Emotion and reason, human impulse and stubborness, bravery and stupidity - it is so hard to find the harmony. The harmony is found with wonderful performers weaving in, out and around the orchestra - a sort of impromptu party rather than a formal opera, where every cast member, be it vocal or orchestral, plays an integral part.

Details: Lauren Sherritt; 13 September 2012

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Both a war story and a love story, Boundary Street is most importantly a true story, which examines one of the conveniently overlooked facets of Brisbane's involvement in the Second World War.

Details: Lauren Sherritt; 12 September 2012

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La Soirée is packed with acts designed to thrill, tease and titillate, all while maintaining a classiness and self deprecating humour that is just enough to keep the audience connected to reality.

Details: Kelli Rogers; 09 September 2012

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Their performance will render you speechless, breathless and hold you captivated for the full 80 minutes, as you witness this deeply poignant and picturesque repertoire of astonishing moving human sculpture.

Details: Lauren Sherritt; 02 September 2012

As a fantastic tribute to a great entertainer the show was spot-on, and this seemed to more than satisfy the majority of the audience.

Details: Nicholas Routley; 24 August 2012

Simone Young conveyed a compelling sense of the architecture of this colossal piece, the prelude to Wagner's trilogy Der Ring des Nibelungen.

Details: Lauren Sherritt; 21 August 2012

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Loco Maricon Amor is not the typical kind of theatre being shown around town, and that is a fantastic thing. Audiences should flock in for a welcome experience of a company trying something new, and delight in it being done very well.

Details: Kelli Rogers; 18 August 2012

The Harbinger by Dead Puppet Society is a fascinating and tightly woven story that uses the sensibilities of traditional fairytale and puppetry to capture the audience's hearts.