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February,
2026
01 February 2026
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2 Monday, 2 February 2026 3 Tuesday, 3 February 2026 4 Wednesday, 4 February 2026 5 Thursday, 5 February 2026 6 Friday, 6 February 2026 7 Saturday, 7 February 2026 8 Sunday, 8 February 2026
9 Monday, 9 February 2026 10 Tuesday, 10 February 2026 11 Wednesday, 11 February 2026 12 Thursday, 12 February 2026 13 Friday, 13 February 2026 14 Saturday, 14 February 2026 15 Sunday, 15 February 2026
16 Monday, 16 February 2026 17 Tuesday, 17 February 2026 18 Wednesday, 18 February 2026 19 Thursday, 19 February 2026 20 Friday, 20 February 2026 21 Saturday, 21 February 2026 22 Sunday, 22 February 2026
23 Monday, 23 February 2026 24 Tuesday, 24 February 2026 25 Wednesday, 25 February 2026 26 Thursday, 26 February 2026 27 Friday, 27 February 2026 28 Saturday, 28 February 2026 1

Most read reviews

  • Little Shop of Horrors | QPAC and Woodward Productions
    Little Shop of Horrors | QPAC and Woodward Productions
    This show is a roller-coaster of emotions, themes, music, choreography, lighting and all that makes theatre such a JOY.
  • A Christmas Carol | Marriner Group
    A Christmas Carol | Marriner Group
    A Christmas Carol retains the essence of a ghost story, yet the supernatural elements are supported by some nifty technological innovations.
  • Present Laughter | New Theatre
    Present Laughter | New Theatre
    Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.
  • Festival of Death and Dying 2025
    Festival of Death and Dying 2025
    The Festival of Death and Dying is not just a festival – it is a tender, artist-led act of remembering, and a deeply human invitation to witness ourselves, one another, and the stories that insist on being carried forward.
  • Messiah (Original Dublin Version, 1742) | Pinchgut Opera
    Messiah (Original Dublin Version, 1742) | Pinchgut Opera
    Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, vibrant, and exhilarating delivery.