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October,
2022
October 2022
Mon Tue Wed Thu Fri Sat Sun
26 27 28 29 30 1 Saturday, 1 October 2022 2 Sunday, 2 October 2022
3 Monday, 3 October 2022 4 Tuesday, 4 October 2022 5 Wednesday, 5 October 2022 6 Thursday, 6 October 2022 7 Friday, 7 October 2022 8 Saturday, 8 October 2022 9 Sunday, 9 October 2022
10 Monday, 10 October 2022 11 Tuesday, 11 October 2022 12 Wednesday, 12 October 2022 13 Thursday, 13 October 2022 14 Friday, 14 October 2022 15 Saturday, 15 October 2022 16 Sunday, 16 October 2022
17 Monday, 17 October 2022 18 Tuesday, 18 October 2022 19 Wednesday, 19 October 2022 20 Thursday, 20 October 2022 21 Friday, 21 October 2022 22 Saturday, 22 October 2022 23 Sunday, 23 October 2022
24 Monday, 24 October 2022 25 Tuesday, 25 October 2022 26 Wednesday, 26 October 2022 27 Thursday, 27 October 2022 28 Friday, 28 October 2022 29 Saturday, 29 October 2022 30 Sunday, 30 October 2022
31 Monday, 31 October 2022 1 2 3 4 5 6

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.