What's On

December,
2019
December 2019
Mon Tue Wed Thu Fri Sat Sun
25 26 27 28 29 30 1 Sunday, 1 December 2019
2 Monday, 2 December 2019 3 Tuesday, 3 December 2019 4 Wednesday, 4 December 2019 5 Thursday, 5 December 2019 6 Friday, 6 December 2019 7 Saturday, 7 December 2019 8 Sunday, 8 December 2019
9 Monday, 9 December 2019 10 Tuesday, 10 December 2019 11 Wednesday, 11 December 2019 12 Thursday, 12 December 2019 13 Friday, 13 December 2019 14 Saturday, 14 December 2019 15 Sunday, 15 December 2019
16 Monday, 16 December 2019 17 Tuesday, 17 December 2019 18 Wednesday, 18 December 2019 19 Thursday, 19 December 2019 20 Friday, 20 December 2019 21 Saturday, 21 December 2019 22 Sunday, 22 December 2019
23 Monday, 23 December 2019 24 Tuesday, 24 December 2019 25 Wednesday, 25 December 2019 26 Thursday, 26 December 2019 27 Friday, 27 December 2019 28 Saturday, 28 December 2019 29 Sunday, 29 December 2019
30 Monday, 30 December 2019 31 Tuesday, 31 December 2019 1 2 3 4 5

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.