In Between No One | The Pajama Men
I started out smiling, laughed out loud a bit more than usual, then became quietly transfixed by the brilliance taking place in front of me... a big dumb smile never quite leaving my face.

Homeward Bound | Kate McLennan

Homeward Bound is an autobiographical account of Kate McLennan's retreat back to the family home in Geelong after a relationship break up. Her stories of heartbreak and insecurities are easy to relate to, as are the members of her family. 

Apocatypical | Kambara Productions

In Apocatypical the world as we know it is spontaneously destroyed during the middle of a turgid performance of an Elizabethan drama, leaving only one lousy actor and two highly disgruntled audience members alive.

Ladyboner | Lisa-Skye

Ladyboner sounds like an irreverent show mostly about sex. Which it is, but it is also a deeply personal show about the conflict of growing up.

Shakespeare Fight Club | WATSON

The show is a riot of inspired silliness, perfectly suited for its late night timeslot. If it sounds like you need to have a degree in Renaissance Theatre Studies to get the jokes, you don't.

Celebrity Theatresports

The range of talent displayed in every wildly different scene was impressive; we saw opera, Star Wars The Musical, different accents every 30 seconds, and the creation of the Horror-Western genre.

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Most read reviews

The Flick | Outback Theatre

Welcome to The Flick, a Worcester, Massachusetts movie theatre, home to one of the last motion picture projectors in the state. The Flick is a dinosaur in the digital age, owned by an unseen proprietor and operated by a sassy projectionist and two general hands who clean and run the box office and the candy concession.

Sami in Paradise | Belvoir

This is black humour indeed, but delivered with an unusually light and zany, almost manic style that is hilarious in moments of high comedy and sharp satire.

The Children | Sydney Theatre Company

A kitchen sinker for the 21st Century, The Children cements playwright Lucy Kirkwood's place in contemporary theatre's pantheon of stylists with form.

Mirth | Luke Leonard

The stories he tells us, at their heart, aren't really funny stories. And yet he has us laughing along with him. He tells us of his broken relationships, job loss, the “cancery” death of his mother, his homelessness... the miserable list goes on.

Private Peaceful | Promise Adelaide

80 minutes long, one man on stage and a rapt audience. His name is Thomas, Tommo, and he’s about to die. That

Most read news

Applications open for CAAP Directors Initiative

Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.

Recipient of the 2018 Kristian Fredrikson Scholarship announced

Sydney based designer Michael Hankin is the 2018 recipient of The Kristian Fredrikson Scholarship For Design in The Performing Arts.

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