What's On

Sunday 11 January 2026

Present Laughter | New Theatre
Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.
Festival of Death and Dying 2025
The Festival of Death and Dying is not just a festival – it is a tender, artist-led act of remembering, and a deeply human invitation to witness ourselves, one another, and the stories that insist on being carried forward.
Naturism | Griffin Theatre Company
Air conditioning is the culprit both on and off the stage in Griffin’s production of Ang Collins’ Naturism.
Messiah (Original Dublin Version, 1742) | Pinchgut Opera
Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, vibrant, and exhilarating delivery.
Get Sando | Wonderland Productions
Apparently, hens like having their ovaries tickled. Bill, a baby boomer hobby farmer preoccupied with raising chickens saw it on You Tube. You gotta egg them on to egg them on.

Tivoli Lovely | WAAPA
Tivoli Lovely takes us down memory lane and pays homage to the hard working entertainers that performed live staged variety shows from 1893 to 1960s.
Dying: A Memoir | Melbourne Theatre Company
Cory Taylor’s final book Dying: A Memoir was a surprise hit world-wide. Now the stage version has its own surprises in store.
ECDysis
Elizabeth Cameron Dalman enters in sweeping red chiffon to open the space. It immediately feels ceremonial, generous, and charged with the weight of six decades in dance.
The Talented Mr Ripley | Sydney Theatre Company
Opportunity is a funny thing; the word brims with promise, but just like talent, intelligence or privilege, it’s what you make of it that defines whether it will have a positive or negative impact on the world.
Hair | The Australian Shakespeare Company
The counter-culture revolutionary musical from 1967, Hair, has returned to Melbourne under the stewardship of the Australian Shakespeare Company.

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