What's On

Yandha Djanbay (Go Slowly)

Merrigong Theatre Company are thrilled to present Gunai artist and writer Kirli Saunders’ captivating one-woman show, Yandha Djanbay (Go Slowly).

After receiving a rave response and standing ovations after its debut in the MerrigongX 2025 season, Yandha Djanbay (Go Slowly), will enthral Wollongong audiences yet again, in storytelling that centres love, grief, and responses to the 2024 referendum - making space for sorrow and rage, while honouring joy as a form of resistance and a legacy of those who came before.

Taking its title from a Dharawal phrase meaning to go slowly, this work is both an acknowledgement of Ancestral strength and a hopeful offering for the future, extending connection to country, to community, and to the resilience of Matriarchy.

Saunders’ powerful work holds space for survivors, and boldly addresses the ongoing impacts of violence, racism, and sexism faced by Aboriginal people, particularly women, and features stunning visuals from 15 First Nations women based on Dharawal & Wodi Wodi lands.

Don’t miss your chance to embark in an immersive experience of renewal and connection from one of Australia’s most dynamic, young First Nations voices.

Event details

Venue: IPAC | Bruce Gordon Theatre | 32 Burelli St, Wollongong NSW 2500
Bookings: https://merrigong.com.au/shows/yandha-djanbay/
Start Date: Saturday 20 June 2026

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Izzard: The Tragedy of Hamlet
To Shakespeare’s text be true is the obvious goal here, and writer, director and actor have each scored.
Dirty Rotten Scoundrels | Redfern Lane Productions
Unabashedly and unapologetically entertaining, Dirty Rotten Scoundrels delights in its hoax hokum, a whimsical hustle of musical comedy bustle.
Continuity | New Theatre
On the set of a big-budget Hollywood eco-thriller, the clock is ticking for an on time and under budget wrap.

Most read reviews

Hamlet | Sh!tfaced Shakespeare
This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Retrograde | Melbourne Theatre Company
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.