| Of The Land On Which We Meet | |||
A First Nations person, a descendant of settlers, and a migrant ask one urgent question… How should we acknowledge Country? Deftly mixing acrobatics and contemporary dance Of The Land on Which We Meet follows the journey of three circus artists with distinct relationships to Country. Heartbreaking circus, bodies colliding, lifting up and slipping away reveals the clumsy and dangerous dialogue that surrounds this vital question. With five-star reviews both at home and abroad, Of The Land on Which We Meet is a physical triumph. Created in Na Djinang Circus’s signature style, merging Indigenous forms with Western mediums, this deeply personal work reminds us that the impossible can be willed into existence when we choose to move through it together.
Event detailsVenue: Riverside Live at PHIVE
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The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.