What's On

Wind in the Willows
 

Join Ratty, Mole, Badger, Otter, Portly,  and, of course, Mr Toad as they bring Kenneth Grahame’s immortal story of life on the riverbank to the stage

This critically acclaimed outdoor theatre production delivers music, songs, and laughs. There is fun for young and old as the Head Chief Rabbit transforms the audience into rabbits with a waggle of the ears and a wiggle of the nose. The young ‘rabbits’ are encouraged to get involved in the action and are given every opportunity to scream out loud, sing along and become part of the adventure. With laughs and surprises for children and adults, this is interactive theatre at its best.

Celebrating over 35 years in the Royal Botanic Gardens Melbourne and 20 years in the Royal Botanic Garden Sydney, The Wind in the Willows is Australia’s best-loved affordable family entertainment.

Please note that The Wind in the Willows is an interactive show and will move to different locations throughout the performance.

P‍lease consult the website for the correct performance dates. 

 

Event details

Venue: The Royal Botanic Garden Sydney - Harbour side of the Main Pond Lawn
Bookings: https://tickets.shakespeareaustralia.com.au/sales/performances/family-theatre/willowssydney2026
Start Date: Thursday 08 January 2026

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

  • Present Laughter | New Theatre
    Present Laughter | New Theatre
    Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.
  • Festival of Death and Dying 2025
    Festival of Death and Dying 2025
    The Festival of Death and Dying is not just a festival – it is a tender, artist-led act of remembering, and a deeply human invitation to witness ourselves, one another, and the stories that insist on being carried forward.
  • Naturism | Griffin Theatre Company
    Naturism | Griffin Theatre Company
    Air conditioning is the culprit both on and off the stage in Griffin’s production of Ang Collins’ Naturism.
  • Messiah (Original Dublin Version, 1742) | Pinchgut Opera
    Messiah (Original Dublin Version, 1742) | Pinchgut Opera
    Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, vibrant, and exhilarating delivery.
  • Get Sando | Wonderland Productions
    Get Sando | Wonderland Productions
    Apparently, hens like having their ovaries tickled. Bill, a baby boomer hobby farmer preoccupied with raising chickens saw it on You Tube. You gotta egg them on to egg them on.

Most read reviews

  • Tivoli Lovely | WAAPA
    Tivoli Lovely | WAAPA
    Tivoli Lovely takes us down memory lane and pays homage to the hard working entertainers that performed live staged variety shows from 1893 to 1960s.
  • Dying: A Memoir | Melbourne Theatre Company
    Dying: A Memoir | Melbourne Theatre Company
    Cory Taylor’s final book Dying: A Memoir was a surprise hit world-wide. Now the stage version has its own surprises in store.
  • ECDysis
    ECDysis
    Elizabeth Cameron Dalman enters in sweeping red chiffon to open the space. It immediately feels ceremonial, generous, and charged with the weight of six decades in dance.
  • The Talented Mr Ripley | Sydney Theatre Company
    The Talented Mr Ripley | Sydney Theatre Company
    Opportunity is a funny thing; the word brims with promise, but just like talent, intelligence or privilege, it’s what you make of it that defines whether it will have a positive or negative impact on the world.
  • Hair | The Australian Shakespeare Company
    Hair | The Australian Shakespeare Company
    The counter-culture revolutionary musical from 1967, Hair, has returned to Melbourne under the stewardship of the Australian Shakespeare Company.