What's On

Lost & Finding
 

Liminal Productions presents
Lost & Finding
An immersive, fantasy-comedy adventure (with puppets)
Written and directed by Emma Van Veen

“Didn’t you read the fine print? No free magic!”

Cassie Shore has unfulfilled dreams of becoming a successful comedian, achieving financial stability, and feeling worthy of the love of her girlfriend, Heather – but she’s about to have much bigger problems.

Little does she know, she’s about to fall through her pile of dirty laundry and into the world of Lost Things – a magical realm that’s filled with ridiculous creatures and danger lurking around every corner.

Swept up on a fantastical journey (brought to life with dozens of beautiful and bizarre puppets), Cassie is going to need the help of some unlikely allies – and maybe even you, the audience. Will she make her way back to reality with her dreams intact, and find what she was missing all along?

From multidisciplinary writer/director Emma Van Veen (Dumb Kids) and Liminal Productions (Too Human, Rhomboid), Lost & Finding is a story about reckoning with failure and learning how to find yourself again. With puppets, of course.

 

Event details

Venue: Flight Path Theatre
Bookings: https://events.humanitix.com/lost-and-finding
Start Date: Monday 18 August 2025

Preview: Thursday 14th August
Opening Night (invite only): Friday 15th August
Closing Night: Saturday 23rd August

Show times: Tue-Sat 7:30pm, Sun 5:00pm (Matinee) + additional 3:00pm matinee on Sat 23rd August (Understudy Performance)

No performance on Monday 18th August.
Approx 100 minutes (no interval)

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
  • Sistren | Griffin Theatre Company
    Sistren | Griffin Theatre Company
    Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
  • Anastasia – The Broadway Musical
    Anastasia – The Broadway Musical
    Anastasia is a spectacle and the technical prowess is spectacular.
  • Gutenberg! The Musical
    Gutenberg! The Musical
    As befitting a work honouring the inventor of the printing press, Gutenberg! The Musical! is enamoured of words, drunk on words, intoxicated with text, mad for the metaphor, passionate for the pun.

Most read reviews

  • MJ the Musical
    MJ the Musical
    MJ the Musical takes you on an immersive experience, like a montage of Michael’s memories and influences leading up to his ‘Dangerous’ tour.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Heathers The Musical
    Heathers The Musical
    Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.