Images from the National Institute of Circus Arts (NICA)
Putting the ink into think, Howard Barker’s No End of Blame is as powerful and poignant, perhaps even more so, today, as it was when written, nearly forty years ago.
Continuing their exceptional season of productions, StageArt closes 2017 with perhaps their most ambitious project yet. Memphis, a jukebox musical with an upbeat score and a timely message to Australia.
There are few topics more challenging than death, and the inevitable journey toward this state of non-being. The journey, one might say, is fraught with difficulty as we see our loved ones deteriorate, diminish, dement and lose their way; something we all fear; after all, what will happen to us come the evolution?
Amadeus Live is an engaging performance, which perfectly combines history, entertainment, and the live music standard that the Sydney Symphony Orchestra is renowned for.
How refreshing to see a new Australian musical and also to be able to acknowledge its success on so many levels. This is a really strong production and its presentation was terrific.
Solli Raphael from Coffs Harbour, NSW has been crowned the youngest ever winner of the Australian Poetry Slam National Final.
Now in it’s eighth successful year offering Sydney audiences an exciting, accessible and powerful voice, Sport for Jove Theatre announce their most exciting season to date.
2018 marks Rafael Bonachela’s tenth year as Artistic Director of Sydney Dance Company and his first full-length work since the epic masterpiece 2 One Another and the critically acclaimed Project Rameau in 2012.