Poetic License
Images from Outer Urban Projects
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Kooza | Cirque du Soleil
 

Kooza
Images from Cirque du Soleil
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Titanic | StageArt
 

Titanic
Images from StageArt
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Festival of Live Art 2016
Images from FOLA 2016
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Anything Goes
 

Anything Goes
Images from the Opera Australia/John Frost production
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Swan Lake
Images from St Petersburg Ballet Theatre
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Totem | Cirque du Soleil
TOTEM
Images from Cirque du Soleil
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Marzo | 2014 Melbourne Festival
Marzo
2014 Melbourne Festival
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7 | National Institute of Circus Arts
7
Images from the National Institute of Circus Arts
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Showboat | The Production Company
Showboat
Images from The Production Company
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Keep Everything | Chunky Move
Keep Everything
Images from Chunky Move
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Mojo | Sydney Theatre Company
Mojo
Images from Sydney Theatre Company
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Patyegarang | Bangarra Dance Theatre
Patyegarang
Images from Bangarra Dance Theatre
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The White Prince | Vertical Shadows Dance Company
The White Prince
Images from Vertical Shadows Dance Company
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Rocky Horror Picture Show
Rocky Horror Picture Show
Images from the Melbourne Season
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Most read reviews

Seed Bomb | subtlenuance

Mind change trumps tree change in Daniela Giorgi’s Seed Bomb, a subtle, combustible comedy.

Romeo & Juliet | Australian Shakespeare Company

Currently celebrating their 30th year as Australia’s largest independent theatre company, the stalwart of “Shakespeare Under the Stars” continues to present the classics to audiences much to their delight.

Natalie Clein and Katya Apekisheva | Musica Viva Australia

I fell in love with Natalie Clein. Warm, unegotistical yet engaging, she spoke to the audience in the same vein as a simple remark attributed to her in the program, “The music is more important than me.”

Jersey Boys: The Story of Frankie Valli and the Four Seasons

Jersey Boys is a perfectly timed piece of nostalgia backed by a brilliant soundtrack.

Trio Mediaeval | 2019 Adelaide Festival

After queuing for some time in the unseasonably cold evening air, we were let into St Francis Xavier’s cathedral, where our seats, unallocated, were narrow wooden pews from which our view of the performance area was partially obscured by a pillar. Par for the course for attending a concert in a cathedral, of course.

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