Mojo
Detailing the travails of an inept handful of (very) small-time mobsters who run afoul of the real thing, Mojo gives us an entertaining vision of a 1958 London obsessed with imported Rock & Roll and American fashions, yet still profoundly British almost to the point of caricature.

The Glass Boat
Bubbling with bouncy banter including every ludicrous Aussie-vernacular-cliché under our collective sunburnt brow, The Glass Boat loosely themes itself on time-travel, Christmas and a mental institution.

Madeleine Peyroux
The beautifully delicate crooning of Madeleine Peyroux, weighted with pained honesty of heart ache, loneliness and yearning, seems to be more suited to a more intimate venue rather than the vast space of the State Theatre.

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