Sydney Reviews

Details: lloyd bradford (brad) syke; 30 August 2008

One has the sense no-one on stage knows how it will begin, until it begins. What will fill the middle. Will it be a soft centre, or something hard and brittle? How, or when, it will end. This is the rugged beauty of it. It's all about the journey.

Details: Jack Teiwes; 30 August 2008

This ambitious production is not without its flaws.

Details: lloyd bradford (brad) syke; 26 August 2008

There are as many strings to this year's Broad bow as previously and, thus, it's hard to know where to begin, and end.

Details: lloyd bradford (brad) syke; 25 August 2008

Vivacious! | Australian Chamber Orchestra

I can't imagine hearing a cleaner, more committed or vigorous exposition, than that bestowed by Ibragimova's ACO.

Details: Jack Teiwes; 22 August 2008

It takes a certain amount of guts (and ego) to do a solo show that relies almost entirely on one’s storytelling abilities.

Details: Aleksei Wechter; 22 August 2008

The play slides from naturalism into surrealism so gently that you hardly notice

Details: Cameron Bayley; 20 August 2008

Before you can say “Melrose Place on acid”, things spin out into the absurd, as characters move in and out of dreams and fantasies, mingling memory and reality.

Details: Sonia Allan; 18 August 2008

Ambition, murder, revenge,visions of blood, leering ghosts, and witches incantations - bring it on.

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