
One of Williams’ great gifts is to bring you into the midst of these intensely problematic relationships at a point by which old destructive patterns are clearly well entrenched, and things are about to dramatically come to a head.

This is work which leaps off the stage with a strange, visceral magnetism.

Brave New Word has made a debut with Body Language that wavers between harmonious and hamfisted.

Claire Edwardes is, of course, regarded as one of the most innovative and important percussionist of her generation. Her focus this particular evening was on marimba.

No caveats, qualifications, ifs, buts, or maybes. If you're looking for the finest young string players in this country and, most probably, well beyond, this is where you'll find them.

That an Australian band comprised of hot, young jazz players should delve so deeply, authentically, respectfully and inventively into this exotic music is courageous and laudable.

Robots vs Art is just as much fun as the title suggests. Like all good comedy, it is underpinned by serious questions – in this case, about the role of art and the nature of humanity – and leaves you thinking as well as laughing.