
American playwright Jon Robin Baitz has written a tightly woven family drama full of American politics and the nuances of growing up in America in the 80s and beyond.

Tthe WA Opera (with the WA Opera Chorus and WA Symphony Orchestra) have produced a slick, likeable and polished production of Mozart’s Don Giovanni.

Alienation opens strongly, with all four of the cast giving a bit of introduction to the subject matter, to the characters they’re playing, and to “themselves”.

Australian Dance Theatre’s reworking of Giselle, directed and conceived by Garry Stewart, is beautiful, frightening, manic, wild, driven, disturbed and powerful.

Bradshaw and his team have created a unique and thought-provoking experience with Animal at Fremantle’s PSAS.

Day One, A Hotel, Evening is fast paced, farcical, and for the most part, hysterically funny – assuming you’re not squirming in your seat in recognition.

This play is largely nostalgic, as O’Mahony refers to childhood games, school days, and notable moments of pop culture from the last couple of decades.