
Why stage an English play steeped in middle-class stereotypes of class and gender at a contemporary Australian Pride festival? I have no idea.

Desert Island Dances is, among other things, a work about expectation, not necessarily just in a show, but in life.


With Anatomy Titus Fall of Rome: A Shakespeare Commentary, Bell Shakespeare and the Queensland Theatre Company have created what must be their most challenging production to date.

As you sink into the soft seat at the concert hall, those deft-handed WASO musicians wrap you up in a musical experience guaranteed to make the working week all but disappear.
