


Big hair and an easy manner, an out of tune guitar and a microphone that “dictates his posture”. This is Harry James Angus, in his show Everything That I Can Think Of.


The appeal of physical theatre lies in the exploration and subversion of theatrical form. Great work combines physical and verbal language in new and exciting ways and challenges the manner in which audiences read, engage with and contextualise performance.


It is the special ability of Simon Philips to capture the essence and structure of the score in visual form that makes this production stand out.