
Kath Walker, or Oodgeroo Noonuccal as the aboriginal poet and activist would later reclaim as her name, found herself on a hijacked plane in Tunisia in 1974.



A couple in crisis. A child reciting twisted limericks. A manic nurse. A grand piano. Blood. All the signs are there: you’re taking a journey to the dark side of suburbia in the Sydney Theatre Company’s new production, The City.

It seems Melbourne can’t get enough of The Burlesque Hour. It keeps returning and the audiences keep coming.

Letter’s End is consummate entertainment. Every object in the Keeper’s room, and every object received through the mail chute, becomes an object of amusement.