Latest Reviews
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Care Instructions is one of those postmodern theatre productions guaranteed to split an audience squarely down the centre: you’re either going to love it or hate it, understand it or shake your head, eyebrows raised.
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Don’t panic, Cats fans. I’m not about to scratch out the amber eyes of one of the most wildly popular stage productions of this or any other century (and don’t for a moment think that’s going to be the last feline pun in this review).
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It is 1967, in small-town Queensland, the sort of quaint country backwater scriptwriters use to justify oddballs and loveable simpletons.
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Crazy For You offers a great night out, full of the fun, glitter, dance and catchy songs that make musical comedy so unique and, in this instance, such a refreshing change from the darker works which are so often performed on our stages.
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Enveloped in darkness, like the moment before waking, our eyes are opened by the light, we are greeted with a bare space and an argument.
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Kantor captures what he describes as ‘the luminous simplicity’ of Samuel Beckett’s text, laced as it is with classical quotation, obscure references, and numerous pauses.
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Fidelio is a dark, dour work. We are drawn into the murky shadows, squinting almost to make out the politically persecuted left to rot in their underground hell.
