

To the opening sounds of a 7-piece band, an apparition appears on stage. She sounds a lot like Liza. She moves somewhat like Liza. There's the Liza laugh.

Studio Flamenco’s production, Arte y Compás (artistry and rhythm) is something like a multitude of tapas, and on opening night, each course is as sumptuous as the last and leaves the appreciative audience salivating for more.


The problem with a simple premise is that sometimes a production doesn’t stray far enough from this simplicity. There is so much more emotional ground that could have been covered to give the play and the characters more complexity.
