It’s hard to follow the exact story, but that doesn’t really matter, as Crystal is more about enjoying familiar circus acts recontextualized within a bevy of ice dancers and stunt skaters.
All in all, this is an evening of great fun and profound questioning, in which music and theatre constantly interweave and complement each other. Not to be missed!
They say laughter is the best medicine, and I hope that counts for the kind of black humour from writer Alistair Baldwin’s debut production.
Miss Peony may be to the Australian Chinese, what ‘Wog Boy’ was to the Australian Greek community – a way to portray complex experiences wrapped up in humour. Or, in other words, to slip political and cultural messages into a comedy.
This production of Stephen Sondheim’s murderous musical melodrama lives up to its subtitle of Musical Thriller, for it is thrilling in every way.
Ballroom and indigenous dance are not an obvious combination, but Burn The Floor, in collaboration with Mitch Tambo and a cohort of esteemed artists, give it a red hot go in brand new show Walanbaa Yulu-Gi.