Latest Reviews
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Lanky and ebullient, Felicity Ward took to the stage to discourse upon the premise that like hedgehogs, people seeking love must be prepared to endure pain and loneliness.
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Simon Stone's Strange Interlude strikes a curious balance between being incredibly intellectually stimulating and almost completely un-engaging emotionally.
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Last Saturday evening, facing the bitter cold winds of Melbourne's South, a crowd began to gather around the Malthouse Theatre, the kind of crowd that can only be brought together for one thing. Gratuitous nudity.
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The life of any artist can't easily be condensed into two hours of stage time in a theatre, without a certain amount of significant material being passed over.
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One of Melbourne's more celebrated non-professional musical theatre companies, CLOC Musical Theatre has scored a coup in being the first to be able to present Andrew Lloyd Webber's Sunset Boulevard to its audiences.
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Involuntary presented by One Point 618 and Adelaide Festival Centre is a curiously bland patchwork of ideas that shoots itself in the foot by not living up to some remarkably arresting promotional material.
