
As an opening scene, a mischievous blond teenager attempting to deflower an angst-ridden fellow schoolgirl is quite an attention-grabber, but it sets the tone well for the hour or so that follows.

Simone Young conveyed a compelling sense of the architecture of this colossal piece, the prelude to Wagner's trilogy Der Ring des Nibelungen.

In what can only be described as "mean girls on crack", The Marvelous Wonderettes are a camp and ever so OTT quartet of prom queen wannabees all vying for the coveted crown.

State Theatre Company's revitalisation of Top Girls demonstrates that the play continues to be pertinent despite being 30-years-old.

The history of Chess the Musical is now legendary and almost more fascinating than the story told on stage.

Oehlers plays as though the saxophone is merely an extension of himself, a fabulous musician to both watch and hear, he is a wonderful storyteller and has a deep love for jazz that is evident in the way he plays.
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Loco Maricon Amor is not the typical kind of theatre being shown around town, and that is a fantastic thing. Audiences should flock in for a welcome experience of a company trying something new, and delight in it being done very well.