Latest Reviews
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For Sir Terry Pratchett fans the play is laugh-out-loud funny, incessantly pleasurable, and totally memorable. With its likeable mixture of satire and humanity, the production is engaging, active and smart, if a tad congested. Yet as a ludicrous romp it's difficult not to enjoy.
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Footprints on Water is a claustrophobic play. Set in a small town that people seem cursed to live in and cursed to never leave, it is a dark, ominous, and sometimes blackly funny look at religion, hysteria, hypocrisy, cruelty, identity, racism, beginnings, ends, and the apocalypse.
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Ovo, while not perhaps as perfect as it could hope to be, is still a tantalising trip for young and old alike, offering a serving of rarefied circus snippets that linger long after the insects have flown from the stage.
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The impossible is made probable, be it in adagio, sky-high swings or the staggering, climactic finale filled with effortless lifts, leaps and tumbles. With ten years of experience, wisdom and dedicated performers behind them, NICA has grown - and will certainly continue to grow in reputation and in interest alike.
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Once you settle into the extreme cosiness of The Owl & The Pussycat theatre and get the hang of what's happening on that tiny stage, your curiosity is piqued. The ending is inventive, a little haunting and yet leaves you with a sad smile on your face.
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Underground is designed to provide a really good night out, and it achieves that wholeheartedly. It is joyful, fun and invigorating, true escapism capped off with a whole lot of glitter and confetti. Underground is a definite must see in this year's Brisbane Festival.
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