Latest Reviews
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Contemporary twists and turns, with music you know you know, however treated in their particular manner, with these particular musicians, these timeless favourites are reinvented again.
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Confessions of a Control Freak is quite a big bit of fun and does what good theatre does best – makes the audience feel a little bit less alone in their struggle to control their lives.
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The piece is like a smorgasbord of sound and rhythm, a twenty-four course meal full of the savoury and the dulcet, and let’s not forget, one roast swan and plenty of drink. It’s varied, rhythmic, melodic, playful and dramatic.
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There are flaws – American accents slip, actors overreach and lines fall flat – but, taken on its own terms, Other Desert Cities is smoothly crafted and deeply evocative theatre.
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A long stretch of beach. A man and his son living in a humpy, keeping out of sight from the townsfolk. Nets to be mended. A wife and mother recently passed away. Three orphaned pelicans.
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Christa Hughes took one of the most eclectic audiences I’ve ever seen (older, younger, rakish, trendy, male, female, other... even aged white-bearded bikies!) and placed them firmly in the palm of her hand.
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After sell out seasons across the globe, where they baffled audiences with seemingly impossible physical feats, the group has temporarily set roots at the Malthouse Theatre.
