
Glengarry Glen Ross by David Mamet moves at a breakneck pace, cleverly enabled by the revolving set utilised in Black Swan’s production which opened last night at the Heath Ledger Theatre.

So what would drive an amateur – what would drive a woman – into boxing? That’s at the heart of English writer Charlotte Josephine’s gutsy exploration of a woman in the ring, Bitch Boxer on now at The Old 505.

Under This Sun is poetic in all senses, visual, literal, and sonic, and the team is entirely comfortable diving into the mix and using all the tools available to them as artists.

Interview transcripts, television media and political interviews are cleverly engaged to constantly shift our perspective throughout a largely engaging play.

Opera Australia’s highly anticipated Don Giovanni, directed by David McVicar, focuses on the dark side of the sex addicted nobleman, who cannot control his appetite for conquering every and any woman who crosses his path, regardless of her age or shape.

Literary allusions to Edgar Allan Poe and Lewis Carroll are part of the puzzle to Aidan Fennessy’s The House on the Lake.

In The Unknown Soldier, Sandra Eldridge has written a play for young people about learning, relationships, and the possession of history.