Latest Reviews
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“A place and a say, that's all we ever wanted,” states Aunt Mavis in Kylie Coolwell's sprawling inner city opus, Battle of Waterloo.
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B-GIRL is marketed as a rock-opera-odyssey but I think that's a stretch. It's really about the man: iOTA.
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Eagles Nest Theatre’s take on Arthur Miller’s famous play is performed in the church-like (and cold) interior of the Brunswick Scout Hall, which helps bring about the atmosphere of Puritan Salem in Massachusetts, where the famed witch-hunts took place in the late 17th century.
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Gustavsen’s music makes you think of the Heart Sutra that states, ‘form is emptiness and emptiness is form’, as space plays such a major role in its compositional fabric.
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Ballet and fairies are a match made in heaven. Ballet seems the perfect art form for depicting fairies and fairies the perfect subject for showcasing ballet. From the moment The Dream starts, with a flutter of green skirts and petite wings as fairies flock the stage, it feels truly like a dream becoming real before your eyes.
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With the legendary Alfred Hitchcock at the helm and an iconic score by Bernard Herrmann, the movie is one that is so well known, adapting it for the stage could be considered an exercise as treacherous as one of Roger Thornhill’s cliff hanging escapades.
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How incongruous it is that the name of this piece is The Song Was Wrong, when every single element within it was so right. So much better than right though, it was exquisite, breath taking, provocative and captivating.
