
It is a fairly flimsy and predictable work, but director, Christopher Renshaw’s strong cast work very hard to present an entertaining show.

Fracture was not only a slick production, its plot gave me one of the most rewarding experiences I value as an audience member.

Phil Scott has been performing for some time, and his experience shows here, both in his musical ability and in his comic timing and story-tellng.

Biggins deals with racism, patriarchal indulgence, disability, education, bigotry, (old-age and new-age) technology, food choices, indigenous culture, bullying, economic growth, old-school mentality and so much more of the current human psyche – all with a laconic smirk and a twist of the knife.

Two of Australia’s much loved playwrights, Brendan Cowell and Lally Katz have combined to blow a breath of fresh air into Belvoir St’s Downstairs Theatre with their two short romantic comedies, TheDog/The Cat.

In a return season of But Wait…There’s More, Circus Oz has pitched its state-of-the-art Big Top at Birrarung Marr with a show incorporating elements of rock n’ roll, cabaret, theatre and satire fused with the skills and tricks of traditional circus.