Latest Reviews
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Geraldine Quinn's Spandex Ballet has been hosting Upfront, the Melbourne International Comedy Festival’s all-female gala night for three years now, and she's always good loud belty fun on this lively night of teasers by some of the strongest female performers at MICF.
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The Elephant Man is a courageous choice for an amateur theatre company, with its multiple scenes and complex messages, and it takes a director of the experience and skill of Megan Dansie and the cast that she is able to recruit to pull it off.
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Mark Kilmurry's production of Good People is slickly, skillfully staged, Tobhiyah Stone Feller's set design that morphs from roller door struggle street to gracious, genteel comfortability is ingenious.
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Against a backdrop of headless floating chickens and in front of one of the biggest crowds of the whole Melbourne International Comedy Festival, a dozen raw comics took a five-minute stand for glory.
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Cirque Adrenaline really does live up to its name. It's a great big shiny production and clearly no expense has been spared.
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The Peasant Prince is simple, imaginative, and constructive celebration of life, while the tawdry, paltry comic book extravaganza delights in destructiveness, depression and darkness.
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Grease is the word… but probably is not the word that you’ve heard before. It does, however, most definitely have groove and meaning.
