Melbourne Reviews
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- Heather Bloom
The Australian Shakespeare Company, now in it’s 35th year of operation presents The Comedy of Errors with the same flair and panache audiences have come to expect over three decades of starlight memories and unique productions.
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- Stephanie Glickman
Audiences are back... for a frolicky musical borne from a movie, borne from nostalgia for the 1980s.
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- Doug Knight
Every performance as compelling and as strong as the next. Rarely do you see such equity on stage, a testimony of course to the remarkable talents of each individual but also the cohesion that can only be attributed to the director.
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- Stephanie Glickman
SICK begins from the idea of living with autism and the "impulse to act out of the ordinary".
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- Stephanie Glickman
In our post-COVID, jacked-up, Zoomed-out haze, can we take any more digital content at this stage?
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- Stephanie Johnson
Arthur Miller RIP. Willy Loman is alive and well and in the excellent hands of Hearth Theatre in the heart of Melbourne.
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- Doug Knight
Having seen Watch This at work before, the calibre of performer and performance in this production was absolutely as expected and so incredibly high.
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- Heather Bloom
In an interesting departure from the Melbourne Theatre Company’s usual fare of big budget, razzle dazzle productions, Touching the Void is a refreshing change for the company.
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At 11.50am on October 15 1970, 35 men fell to their death as their place of work gave way from under them.
Heathers The Musical
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Swan | Elf Lyons
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The Brut Truth: A Champagne Comedy Tasting | Prétentieux vin Branleur
It feels that the show hasn’t quite worked out what point it wants to make.
Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.