
The sold-out Miike Snow gig at Melbourne’s Hi-Fi Bar was charged with a palpable energy right from the word, “Yo!” uttered, of course, with the slight baritone twang of the Swedish accent.

Handel’s music is overwhelmingly beautiful. The highly structured and intricate nature of the notes sweep you away to a musical paradise where great stories are re-told and consequently re-born.

There is no mistaking Let The Sunshine as a David Williamson play. It has everything you’d expect: multitudes of witty one-liners, politics, clichéd female characters; and all set in that slice of Aussie life encapsulated by midlife crises and domestic turbulence.

Full of dazzling acrobatic displays, each dance is seemingly more difficult and technical than the last.


Guerin successfully creates a tension between the micro and the macro, the mundane and the grandiose.