
This play is what a good story is. It is neither fancy nor is it camouflaged with riskless speech. It is quite simply a revelation of what everyone has done or has had done to them.


It's as intimate and raw as any rehearsal room has to be. It is as imperfect and as frustrating as any routine should be.

Pin Drop raises more questions than answers, but judging by Saulwick’s notes, this is perhaps what she set out to achieve.

One of the most joyous elements in this show is the way it captures the interaction amongst and between the artists; the dancers and musicians, but also the men and women.


The concept for the production is interesting and engaging but unfortunately the script seems a little convoluted at times which muddies the story.