
Memmie Le Blanc, also known as the feral child of Champagne, named after a region in France, is the story of a girl who was found and purchased by Madame Catherine Michel – who loved her as her own daughter and tried to bring her to acceptable societal conventions.


The major issue that drowns The Artisan Collective’s production is the absence of any conceptual focus towards ‘truthfulness’, sabotaging any possibility of the suspension of disbelief.

Overall, Tenderness is a magnificently successful production in its aim of highlighting big questions, and igniting the conversation about them.

Schneider captured Doris’s essence in this performance, clearly giving a large piece of herself in creating a showstopper.

The art of burlesque is most often associated with a kind of old world glamour – voluptuous ladies luxuriating with feather fans and so forth – but Metropolis 2040, the latest burlesque extravaganza to scorch the stage at Red Bennies cabaret bar, turns that on its head.

Red Stitch’s latest offering The Aliens is a brilliantly crafted production and a testament to why this company is in the midst of celebrating its tenth anniversary.

It’s not often I get to use the phrase “consummate performer” without sounding pretentious, but in the case of Martin Short, there really are no other words to describe the one man band of singing, dancing and comedic brilliance.