
Kenza can write but this play amounts to a matter of style over substance. The work is way, way too long, and the writer has lost control of her material.

Let’s Get it On pays tribute to the man who was blessed with musical genius and physical beauty.

The tenth anniversary return season of WICKED to Melbourne’s Regent Theatre pulls no punches. It’s big budget wonderment overflowing with sumptuous costumes, a set design that demands gasps of delight, and singing that makes the goosebumps.

Director Matthew Lutton has put his experience of directing opera to use, throwing out White’s elaborate stage directions and unleashing the drama by focussing on the archetypes of human nature, their dramatic confrontations, and the elemental forces of nature.

Yellow Moon is a simple yet elegant piece, packing a message with a powerful punch, well worth experiencing.

Pumping tunes that the audience know and love, a deliciously naughty leading man, and the who’s who of Australian talent running the show.

The Flying Fruit Fly Circus’ latest Circus Under My Bed, part of the Melbourne International Comedy Festival, is a a fabulously choreographed, directed and executed little show for all ages.