What's On

Inner Landscapes
 

Mirroring the composer's own inner turmoil, Franz Schubert’s stirring String Quartet No. 14, “Death and the Maiden” has long captured the imagination of listeners with its thrilling climaxes, tortured freneticism and darkly romantic source material. 

In an expanded setting for chamber orchestra arranged by the formidable Gustav Mahler, this seminal work leads a program that ventures into intimate inner worlds, exploring shifting terrains of emotion and memory. 

Opening with John Corigliano’s tender Soliloquy — an elegy of reflection and restraint, carrying the weight of memory while seeking solace in beauty and stillness — this performance also includes the Australian premiere of Jessie Montgomery’s Grammy Award-winning Rounds for piano and strings, starting with a single repeating idea that spirals into intricate motion. 

In a world premiere, Australian composer Paul Stanhope brings lyrical depth and human vitality to his first Clarinet Concerto written in his trademark style of poetic narrative and musical invention. 

 

Event details

Venue: Melbourne Recital Hall
Bookings: https://www.melbournerecital.com.au/purchase/single-event?productionId=4df55e93-269c-410b-b108-983b61f53feb&promocode=OM
Start Date: Monday 13 July 2026

 

Find more events in Melbourne»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Melbourne reviews

Most read reviews

  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
  • Waitress the Musical
    Waitress the Musical
    There is a lot to love about this show; the cast are strong, and the onstage band who interact in the main diner setting is a fun touch.
  • Izzard: The Tragedy of Hamlet
    Izzard: The Tragedy of Hamlet
    To Shakespeare’s text be true is the obvious goal here, and writer, director and actor have each scored.