What's On

Of The Land On Which We Meet
 

A First Nations person, a descendant of settlers, and a migrant ask one urgent question…

How should we acknowledge Country?

Deftly mixing acrobatics and contemporary dance Of The Land on Which We Meet follows the journey of three circus artists with distinct relationships to Country.

Heartbreaking circus, bodies colliding, lifting up and slipping away reveals the clumsy and dangerous dialogue that surrounds this vital question. With five-star reviews both at home and abroad, Of The Land on Which We Meet is a physical triumph.

Created in Na Djinang Circus’s signature style, merging Indigenous forms with Western mediums, this deeply personal work reminds us that the impossible can be willed into existence when we choose to move through it together.

 

Event details

Venue: Riverside Live at PHIVE
Bookings: $25.00 - $39.00
Start Date: Thursday 23 April 2026

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.