What's On

The Elocution of Benjamin Franklin
 

A landmark work of Australian theatre returns to the stage where it first sprang to inglorious life.  

steve j. spears’s The Elocution of Benjamin Franklin scandalised and mesmerised in equal measure when it premiered in 1976—touring across the world and collecting awards everywhere it ventured. Now, on its 50th anniversary, Simon Burke takes on the towering role that Gordon Chater made infamous. 

Robert O’Brien is an elocution teacher whose career is going nowhere fast. Stuck in a dreary cycle of diaphragm exercises and She-Sells-Seashells, every evening he escapes into extravagant fantasies of seducing Mick Jagger. 

Then, a new student arrives. Benjamin Franklin. A 12-year-old acting prodigy with a stutter, a pack-a-day smoking habit and some unsettling curiosities about his middle-aged voice teacher. With half of Toorak already suspicious of their flamboyant neighbour, a ticking time bomb is lit. 

Directed by Artistic Director Declan Greene (NaturismThe Lewis Trilogy), this revival is a riotous, razor-edged tragicomedy and harrowing portrait of persecution. Half a century on, it’s just as urgent—and unsettling—as ever. 

 

Event details

Venue: Downstairs Theatre, Belvoir
Bookings: https://griffintheatre.com.au/whats-on/the-elocution-of-benjamin-franklin/?utm_source=advertising&utm_medium=listing&utm
Start Date: Wednesday 11 March 2026

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.