What's On

Rusalka
 

Under the surface, Rusalka wants. She wants light. She wants love. She wants life outside of her home in the depths. The water nymph gives up everything to get it. But Rusalka can’t imagine just how much she’s giving up … or if the soul she seeks is worth the sacrifice.

Nicole Car has a once-in-a-generation voice, and is one of the most successful sopranos to emerge from Australia in decades. Don’t miss her return after several years on the world stage to make her role debut as Rusalka.

Dvořák’s rich, Romantic opera draws you into a dream-like world of light and shadow. The music shimmers with intricate harmonies and sweeping melodies, including the famous ‘Song to the Moon’. The lush orchestration paints a vivid atmosphere where magic and malice meet.

Before Disney took Hans Christian Andersen’s fairy tale The Little Mermaid into the lives of children everywhere, many cultures told tales of water nymphs who long to live on the surface. Dvořák’s opera fuses the fairy tale with Slavic stories of dangerous water nymphs.

Director Sarah Giles follows up her critically acclaimed La Traviata with a new production of Dvořák’s melodic opera. She creates a mesmerising, dangerous world, where Rusalka longs to escape from a place that doesn’t feel like home. Ethereal costumes by Renée Mulder and an evocative set by Charles Davis glimmer with magic and mystery.

The cast is rounded out by Austrian-Australian tenor Gerard Schneider, Warwick Fyfe, Ashlyn Tymms, and Natalie Aroyan.

 

Event details

Venue: Sydney Opera House
Bookings: https://opera.org.au/
Start Date: Sunday 03 August 2025

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.