What's On

A Jerk In Progress
 

David Rose has been relentlessly touring over the last 18 months, appearing everywhere from New Dehli to New York City. He’s back with a brand-new hour of polished comedy. A decade of treading the boards has taught him that tricks are for kids and being a jerk is no longer cool. With over 10 million views online, David has gone viral in every corner of the internet, from fans of Ben Shapiro to Bluey. Catch "one of the best young comics in the country" (Scenestr Mag) before he's huge!

 

Event details

Venue: Pilgrim Bar - 15/19 Federation Wharf, Melbourne VIC 3000
Bookings: https://www.comedyfestival.com.au/2024/shows/a-jerk-in-progress
Start Date: Saturday 30 March 2024

 

Find more events in Melbourne»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.