What's On

The Dress
 

Immerse yourself in a fascinating story about two unlikely allies, a widow and her seamster, as they race to regain their spark of life. Performed in one of the grandest historic mansions in Australia and located next to Lancemore Mansion Hotel, this new play written by Alaine Beek is already receiving fantastic reviews and audience responses.

It is 1899, Mrs Hannah Bryden, the picture of respectable widowhood, has lived alone in her sprawling mansion. She enjoys nothing save the occasional company of her dressmaker, the flamboyant and sharp-tongued Mr Bertin.

But when massive advances in the fashion industry jeopardise Bertin's livelihood, he hatches a plan to save both from obscurity. Hannah must come out of her widow's blacks and launch herself once more as one of Melbourne's leading socialites at an upcoming masquerade ball, clad in the most jaw-dropping fashion statement Bertin has ever attempted.

An entertaining historical story of two unlikely allies propelling each other towards purpose and the spark of life. The performance is indoors and is not affected by the weather and runs 90 mins without interval. Dates are added regularly, so keep an eye on the website for updates. Recommended 11+. Wheelchair accessible. 

Experience this live, seated performance in the grand hallway of Werribee Park Mansion. marvel at the stunning costuming by dressmaker Harry Quinert, immerse yourself in live cello music and enjoy a glass of sparkling wine or soft drink with the actors at end of play.

Essence Theatre Productions is an independent theatre production company based in Wyndham who’ve been performing successful historical shows for Werribee Park Mansion for over 20 years.

“The Dress is a heart-warming historical play that is definitely worth seeing…. you won’t be disappointed… a very enjoyable night.” Theatre Travels

 

Event details

Venue: Werribee Park Mansion
Bookings: https://www.essencetheatre.productions/the-dress-booking-page
Start Date: Friday 22 March 2024

Writer/Producer: Alaine Beek for Essence Theatre Productions Ltd
Director: Nigel Sutton
Performers: Scott Jackson as Bertin, Alaine Beek as Hannah, and with Cellist Patrick Schnur or Lore Burns.
Dress Design/History Advice: Harry Quinert

TITLE The Dress
DATES Fri 22 & Sat 23, Fri 29 & Sat 30, March 2024. More dates tba.
VENUE Gate 2, K Rd, Werribee South VIC 3030. Wheelchair friendly
TIMES 8-9.30pm followed by a complimentary drink with the actors
LENGTH 90 mins. No interval.
TICKETS $55 // $48 concession // $46 groups & locals // $35 child. 11+ recommended, Seated interior performance.

Keep an eye on the www.essencetheatre.productions website as new dates are added.

Tix: https://www.essencetheatre.productions/the-dress-booking-page
Instagram: https://www.instagram.com/essencetheatreproductions
Facebook: https://www.facebook.com/EssenceProductionsMelbourne
Short promo: https://vimeo.com/917275804

 

Find more events in Melbourne»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.